Chapter 3 CS4 - Revision history

Xtine at 06:36, 28 January 2013

2013-01-28T06:36:06Z

Robin at 21:24, 22 January 2013

2013-01-22T21:24:54Z

Robin: /* Exercise 5: Asymmetry with imbalanced visual weight */

2013-01-22T17:52:39Z

Exercise 5: Asymmetry with imbalanced visual weight

Robin: /* Exercise 5: Asymmetry with imbalanced visual weight */

2013-01-22T17:51:19Z

Exercise 5: Asymmetry with imbalanced visual weight

Robin: /* Download Materials for Chapter 3 */

2013-01-17T19:09:26Z

Download Materials for Chapter 3

Robin: /* Preview of the remaining exercises */

2013-01-17T18:42:42Z

Preview of the remaining exercises

Robin at 18:42, 17 January 2013

2013-01-17T18:42:24Z

Robin: /* Preview of the remaining exercises */

2013-01-17T18:40:05Z

Preview of the remaining exercises

Robin: /* Preview of the remaining exercises */

2013-01-17T18:39:33Z

Preview of the remaining exercises

Robin at 18:40, 10 January 2013

2013-01-10T18:40:04Z

Show changes

@@ Line 2: / Line 2: @@
 [http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip Click here to download chapter 3 work files.]
+=Screencasts=
 =Chapter 3: Symmetry=
 Symmetry is achieved when the weight of a composition is evenly balanced. Symmetrical forms are perceived as being stable. In order to achieve symmetry in any composition, the designer must create balance with the compositional objects in both their positive and negative spaces in relationship to the grid. The positive space often contains the active design elements while the negative space in a symmetrical composition is usually passive.

@@ Line 11: / Line 11: @@
 [http://flickr.com/photos/digitalfoundations/2265836214/ http://flickr.com/photos/digitalfoundations/2265836214/]
 Image Caption: ''The Bookman'', Advertisement for the New York literary journal, "The Bookman", April 1896.
@@ Line 17: / Line 19: @@
 [http://flickr.com/photos/digitalfoundations/2261880622/ http://flickr.com/photos/digitalfoundations/2261880622/]
 Image Caption: ''Vitruvian Man'', Leonardo da Vinci, Drawing on paper, 1492. Photograph by Luc Viatore, 2007.
@@ Line 23: / Line 27: @@
 [http://flickr.com/photos/digitalfoundations/2261881892/ http://flickr.com/photos/digitalfoundations/2261881892/]
 Image Caption: ''Codex Aureus of St. Emmeram, Scene: Portrait of Abbot Ramwoldus'', Book painting on parchment by Adalpertus, 1000.
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 </table>

← Older revision		Revision as of 17:52, 22 January 2013
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	4. With the four circles selected, view the Align Palette (Window > Align). This palette will be used to distribute the four small circles evenly. Click the fifth button from the left under the "Distribute Objects" part of the Align Palette. Hold the mouse over this icon to see a pop up dialog box that displays, "Horizontal Distribute Center".		4. With the four circles selected, view the Align Palette (Window > Align). This palette will be used to distribute the four small circles evenly. Click the fifth button from the left under the "Distribute Objects" part of the Align Palette. Hold the mouse over this icon to see a pop up dialog box that displays, "Horizontal Distribute Center".

−	[[File:~~FIg05_Ex5_04~~.jpg\|400px]]	+	[[File:Fig05_Ex5_04b.jpg\|400px]]

@@ Line 204: / Line 204: @@
 . With the four circles selected, view the Align Palette (Window > Align). This palette will be used to distribute the four small circles evenly. Click the fifth button from the left under the "Distribute Objects" part of the Align Palette. Hold the mouse over this icon to see a pop up dialog box that displays, "Horizontal Distribute Center".
-[[File:Fig05_Ex5_04.jpg|400px]]
+[[File:FIg05_Ex5_04.jpg|400px]]
@@ Line 218: / Line 218: @@
 </table>
 =Exercise 6: Symmetry with patterning=

@@ Line 1: / Line 1: @@
 =Download Materials for Chapter 3=
-[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for chapter 3 work files.]
+[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip Click here to download chapter 3 work files.]
 =Chapter 3: Symmetry=

← Older revision		Revision as of 18:42, 17 January 2013
Line 42:		Line 42:

	In the following exercises (2 – 7) the compositions will each be created within one of six individual squares (illustrated here). All of the exercises are created in one single document, established in Exercise 2. For these compositions the grid is simple: the horizontal and vertical intersection at the middle of each square is the grid. See and "feel" the visual weight that is constructed between the four quadrants (upper left, right, lower left and right) in each composition.		In the following exercises (2 – 7) the compositions will each be created within one of six individual squares (illustrated here). All of the exercises are created in one single document, established in Exercise 2. For these compositions the grid is simple: the horizontal and vertical intersection at the middle of each square is the grid. See and "feel" the visual weight that is constructed between the four quadrants (upper left, right, lower left and right) in each composition.
−
−	~~[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for chapter 3 work files.]~~

	=Exercise 2: Symmetry with passive negative space=		=Exercise 2: Symmetry with passive negative space=

← Older revision		Revision as of 18:42, 17 January 2013
Line 1:		Line 1:
		+	=Download Materials for Chapter 3=
		+
		+	[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for chapter 3 work files.]
		+
	=Chapter 3: Symmetry=		=Chapter 3: Symmetry=
	Symmetry is achieved when the weight of a composition is evenly balanced. Symmetrical forms are perceived as being stable. In order to achieve symmetry in any composition, the designer must create balance with the compositional objects in both their positive and negative spaces in relationship to the grid. The positive space often contains the active design elements while the negative space in a symmetrical composition is usually passive.		Symmetry is achieved when the weight of a composition is evenly balanced. Symmetrical forms are perceived as being stable. In order to achieve symmetry in any composition, the designer must create balance with the compositional objects in both their positive and negative spaces in relationship to the grid. The positive space often contains the active design elements while the negative space in a symmetrical composition is usually passive.

@@ Line 39: / Line 39: @@
 In the following exercises (2 – 7) the compositions will each be created within one of six individual squares (illustrated here). All of the exercises are created in one single document, established in Exercise 2. For these compositions the grid is simple: the horizontal and vertical intersection at the middle of each square is the grid. See and "feel" the visual weight that is constructed between the four quadrants (upper left, right, lower left and right) in each composition.
-[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for Chapter 3 Work Files]
+[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for chapter 3 work files.]
 =Exercise 2: Symmetry with passive negative space=

← Older revision		Revision as of 18:39, 17 January 2013
Line 38:		Line 38:

	In the following exercises (2 – 7) the compositions will each be created within one of six individual squares (illustrated here). All of the exercises are created in one single document, established in Exercise 2. For these compositions the grid is simple: the horizontal and vertical intersection at the middle of each square is the grid. See and "feel" the visual weight that is constructed between the four quadrants (upper left, right, lower left and right) in each composition.		In the following exercises (2 – 7) the compositions will each be created within one of six individual squares (illustrated here). All of the exercises are created in one single document, established in Exercise 2. For these compositions the grid is simple: the horizontal and vertical intersection at the middle of each square is the grid. See and "feel" the visual weight that is constructed between the four quadrants (upper left, right, lower left and right) in each composition.
		+
		+	[http://www.missconceptions.net/digital-foundations/ch1-ourfinalfile.zip click here for Chapter 3 Work Files]

	=Exercise 2: Symmetry with passive negative space=		=Exercise 2: Symmetry with passive negative space=